| – As with many of these posts, I don't have the album, so this is just a cherry-pick; I haven't even seen the film tbh - what else am I missing out on I wonder? This ominous and dramatic cut is simply epic. As I understand it, film director Christopher Nolan used little dialogue, with much of the onus being on cinematography and music to recreate the suspense and intensity of the deseperate situation. Zimmer's mathematical approach uses layers of rhythmic elements, with subtle shifts of tempo and volume that seem to build and build forever, getting your heart racing and keeping you on the edge of your seat. I think I need to see this film! |
